Headline: RETIRED
COLUMNIST REVELS IN RECALLING AN `INTERESTING LIFE'
Reporter: By Gregory Freeman
Publication: ST.
LOUIS POST-DISPATCH
Last Printed: Sun., Feb. 28, 1999
Section: NEWS ANALYSIS, Page: B6, Edition: FIVE STAR LIFT
Melba Sweets turns
90
Melba Sweets never thought she'd live to be 90.
"I
just never thought I'd live so long, " said Sweets, a petite woman whose
snow-white hair frames her soft facial features. Few would guess that this woman
with the virtually wrinkle-free face is nearly a century old.
Hers has been
a full life. As the widow of the former publisher of the St. Louis American,
as a columnist for some 50 years and as a mother, she is filled with stories.
Like
the one where she met famed poet Langston Hughes. The two became friendly, and
he wrote a 17-page poem especially for her and her husband, Nathaniel A. Sweets.
Hughes, who was then writing columns for black newspapers nationally, was so
impressed with Melba Sweets that he often sent his columns to her for editing
before forwarding them on to the papers.
Or the one where
she defied her husband and attended a speech and interviewed singer and activist
Paul Robeson.
Nathaniel Sweets was wary of Robeson. In the late 1940s, when dissent
was scarcely tolerated in the United States, Robeson openly questioned why blacks
should fight in the army of a government that tolerated racism. Because of his
outspokenness, he was accused by the House Un-American Activities Committee
of being a communist. Nathaniel was worried that his wife would be harassed
by FBI agents who would surely be there, taking names.
He
argued with her, insisting that she not go.
But Melba Sweets
wasn't one to be ordered around. "In the end, I said he's an important
person, and I'm going to go, " she said. "I never regretted it."
After
the speech, she attended a party in Robeson's honor, spirited him away into
a room and spent hours interviewing him. "He was a fascinating man, "
she said. "We talked so long, he was so interesting and compelling, that
we didn't watch the time. When we finished, two-thirds of the partygoers were
gone."
Or her visit to Cuba on the invitation of Fidel Castro, along with several other members of the National Newspaper Publishers Association, the organization that represents the publishers of black newspapers. The State Department declined to give its blessing to the visit, but Sweets went anyway, finding herself impressed with what Castro had done for that country's poor.
Sweets grew up in The Ville neighborhood of St. Louis, the granddaughter of slaves. Her mother was a schoolteacher. Her father, originally a custodian, put himself through college with correspondence courses and became the first black chemist at Union Electric.
Sweets eventually
became a teacher in the St. Louis public school system, teaching third grade
at the old Cottage Avenue School.
One of her pupils - Chuck Berry - would go on to fame and fortune,
but as a student, he was "one of the worst kids I ever knew, " Sweets
chuckled. "He was so bad that he was going to take me on one day by walking
out of the room. No kid had ever tried me before. I told him, in the sternest
voice I could muster, `YOU WILL BE SORRY IF YOU WALK OUT OF THIS ROOM.' It worked,
and he turned around and went back to his seat."
Many
years later, she was at an event where Berry was performing, and she was introduced
to him afterward. "I didn't think he'd remember me, " she said. "But
he began ticking off the names of all the teachers he'd had in school, and he
remembered me. I was impressed."
When Sweets and
her husband married in 1935, she had to give up teaching, because teachers in
those days weren't allowed to marry.
She immediately threw herself into her husband's work. She wrote
news stories and feature stories. And she wrote a social column with friend
Thelma Dickerson. The column, "We're Tellin', by Mel and Thel, " was
filled with births, deaths, weddings and other events, and was one of the paper's
longest running features, spanning 50 years.
Within
short order, the Sweets had three children, and in no time the paper became
a real family affair, with all three children pitching in, writing, taking pictures
and - along with executive editor Bennie G. Rodgers - making sure the paper
came out each week.
The journalism bug bit: Two of the three youngsters remained in
journalism. Ellen Sweets is a reporter for the Dallas Morning News. Fred Sweets
is the assistant bureau chief for photography for The Associated Press in Washington.
Nathaniel A. "Buzzy" Sweets Jr., the American's chief photographer
for many years, is now a juvenile officer with the St. Louis County Juvenile
Detention Center.
The American nurtured
many journalists over the years, including Kenneth J. Cooper, Southeast Asia
bureau chief for The Washington Post; Ann Scales, a White House correspondent
for The Boston Globe; Stan Austin, online managing editor for the Kansas City
Star; Jabari Asim, a senior editor at the Washington Post; Norm Parish, housing
and city government reporter for the Post-Dispatch; and yours truly.
It was with her young charges that Sweets was ruthless, and the
schoolteacher in her would come out. Every Friday, after the paper was on the
streets, she'd meet with the staff and use her red pen to point out any grammatical
and spelling errors and typos. She would settle for nothing short of perfection.
Dr. Donald Suggs bought the paper and became publisher in the 1980s, but Sweets continued to write her column for several years afterward, until she retired in the mid-'80s.
Today, the woman
who never thought she'd live to see 90 is the oldest black journalist in St.
Louis. She'll celebrate her birthday Sunday with her three children, eight grandchildren,
three great-grandchildren and friends.
"I
don't think I've done anything that special, " she insisted, with typical
modesty. "But mine has been an interesting life."
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1999, ST. LOUIS POST-DISPATCH
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